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Jae Cosmos Lee and Jean-Claude Picard
Jae Cosmos Lee and Jean-Claude Picard

Concertmaster's Corner with Jae Cosmos Lee: Meet Jean-Claude Picard

Before each Masterpiece performance in the Cape Symphony Orchestra’s 2024/25 concert season, I’ll introduce our guest conductor and Music Director candidate here in the Concertmaster’s Corner. Today we got to know Jean-Claude Picard, who will conduct “Pictures at an Exhibition” on September 21 & 22, 2024.

As you know, the search for Cape Symphony’s next Music Director is well underway. Our Search Committee of musicians, Trustees, Symphony staff, and a community representative narrowed a field of over 200 applicants to a few outstanding finalists who will each conduct a concert in our 2024/25 season. Our Masterpiece repertoire features warhorses from the Western canon chosen to showcase the talent and skill of these fine conductors.

Jean-Claude Picard is widely known for the natural and collaborative rapport he establishes with his fellow musicians. He has served as Artistic Director and Principal Conductor of the Orchestre symphonique de Trois-Rivières, and guest conductor of orchestras such as the Montreal Symphony Orchestra, Calgary Opera, I Musici, and the Montreal Bach Festival Orchestra.

Jae Cosmos LeeWelcome, Jean-Claude, and thank you for the opportunity to help our audience get to know you. There’s nothing like starting at the beginning: What was your original instrument as a musician, and how did you start conducting?

Jean-Claude Picard: I began my musical journey as a flutist, performing with orchestras like the Orchestre de la Suisse Romande, Les Violons du Roy, and the Bergen Philharmonic in Norway. These experiences, where I also got the opportunity to perform in venues such as Carnegie Hall in New York and the Royal Concertgebouw in Amsterdam, taught me the importance of listening, both musically and empathically, and working together as a team, where every voice matters.

I quickly felt a natural pull towards conducting; my first opportunities confirmed that the podium was the place where I felt most comfortable expressing myself through music and supporting my colleagues while shaping the overall vision of a performance. The great conductor Leonard Bernstein expressed the idea that a conductor’s authority comes from the musicians themselves. Conducting an orchestra is about earning the trust of the musicians; the true power in music-making comes from collaboration and mutual respect within the ensemble. 

My studies at the Conservatoire Supérieur de Musique de Genève, under the mentorship of Laurent Gay, played a pivotal role in this transition from flute to conducting. Later, as Associate Conductor of the Royal Scottish National Orchestra, I gained invaluable experience in building strong relationships with the musicians and creating performances that resonated deeply with our audiences. 

JCL: What led you to apply to be our Music Director?

J-CP:  My decision to apply for the Music Director position with Cape Symphony stems from a resonance with the organization's vision and values. In reviewing the prospectus and learning more about Cape Symphony, I was struck by its commitment to fostering a vibrant and inclusive community through music. Its dedication to education and community engagement, as well as its openness to new ideas and a forward-thinking artistic vision, aligns closely with my own values. I believe in the importance of balancing tradition with innovation, ensuring that while we honor the rich heritage of symphonic music, we are also actively engaging with the present and future.

I am looking to contribute not just as a conductor, but as a committed member of the community. I believe that a Music Director should be more than a figure on the podium; they should be a visible, active, and engaged presence in the community, building relationships, understanding the unique character of the area, and bringing people together through meaningful musical experiences. That’s exactly what Cape Symphony is about, and it’s exactly what I’m passionate about, so applying for this position felt like the natural next step!

JCL: How do you approach working with a new orchestra and getting to know a new community?

J-CP:  When I start working with a new orchestra, my first priority is to establish open and respectful communication. I believe that a successful collaboration begins with listening—both in the literal sense, during rehearsals, and in a broader sense, by understanding the musicians' perspectives, strengths, and the unique qualities of the ensemble. My goal is to foster a positive and inclusive atmosphere where musicians feel valued, heard, and inspired to bring their best to each performance.

Getting to know a new community is equally important to me. I approach this by immersing myself in the local culture and engaging with various community members. Whether it's attending local events, collaborating with other cultural institutions, or simply spending time in the community, I aim to understand what makes the place unique and how the orchestra can resonate with its audience. Cape Cod's relaxed vibe is something I deeply appreciate, and I see it as an opportunity to create meaningful, accessible musical experiences that reflect this spirit.

JCL: What’s special to you about the pieces you’ll conduct on the Cape Symphony stage?

J-CP:  These pieces hold a special place for me because they collectively explore the breadth of human experience in ways that are both profound and relatable. Each work, in its own unique way, tells a story—one that resonates with our shared emotions and memories. They encompass the full spectrum of what it means to be alive: from the exhilarating rush of life’s fast pace, the deep connection to cultural roots, to the acceptance of our vulnerabilities, and the celebration of our inner strength. These works don’t just entertain; they invite us to feel, to remember, and to connect with something greater than ourselves.

JCL: Conducting is hard work! What are your favorite foods to eat after a concert?

J-CP:  Chardonnay! Ideally paired with some sushis. And I’ll never say no to a well-made martini. I love the chance to relax and chat with colleagues and patrons; it’s a time to reflect on the performance, share a laugh, and celebrate the joy that music brings into our lives. There’s something special about those post-concert moments, where the energy of the evening lingers and you get to connect with people who share the same passion. It’s a wonderful way to end the night.

JCL: What entertains and inspires you? Do you have favorite movies, books, sports?

J-CP:  What entertains and inspires me? It’s a mix of things that keep life vibrant. Nature is a great source of inspiration for me—there’s something about being outdoors that clears the mind and sparks creativity. But I’m just as inspired by a dinner party with friends, sharing a good meal, stories, and laughter—it’s the kind of connection that really fuels me.

When it comes to books and movies, I’m a fan of science fiction. Isaac Asimov and Roddenberry’s Star Trek are top of the list. You can call me Jean-Luc, I’ll answer with a smile! I love the way these stories stretch the imagination and explore some of the important questions about humanity and the future.

And then, there’s cooking! I’ll talk about that in the next question.

JCL: With a busy professional life, what do you like to do in your down time?

J-CP:  Outside of work, I’m all about staying active and finding ways to unwind that are fulfilling. Running is a passion of mine, especially in nature. Here in Montreal, my go-to spot for a good run is Parc Jean-Drapeau, a wonderful island that was the site of Expo 67. And honestly, Cape Cod feels like a runner’s paradise—can’t wait to hit those trails in September!

I also have a bit of a thing for HGTV—there’s something satisfying about watching home transformations and then getting hands-on with my own space. It’s a great way to switch gears and let my creative side loose.

Cooking and baking are also big loves of mine! I’m a fan of The New York Times Cooking, always on the hunt for new recipes to try out. With summer still in full swing, I have to recommend Melissa Clark’s “Strawberry Shortcake With Lemon-Pepper Syrup”—it’s an absolute treat! There’s something incredibly satisfying about creating a meal that brings people together—almost like conducting a symphony, but with flavors instead of notes. Whether I’m in the kitchen or out for a run, I like to keep life flavorful and fulfilling.

JCL: Thanks for helping the Cape Symphony community get to know you. We look forward to seeing you at the concert hall!

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The public is invited to observe Jean-Claude Picard in rehearsal with the Cape Symphony Orchestra from 6:30 – 8:30 PM on Thursday, September 19, 2024 at the Barnstable Performing Arts Center.

Pictures at an Exhibition ticketholders may also attend a preconcert Q&A session with Mr. Picard, led by Assistant Conductor Joe Marchio one hour before showtime.

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