In the same way that nightclubs evolved from places where live bands provided the music to places where disc jockeys played records, disco changed the tradition of partner dancing.

Believe it or not, Nazis had a hand in the development of the nightclubs where disco music originated! During World War II, dance halls in Paris featured jazz music; however, regulations in Nazi-occupied France banned live music, so records were played instead.

One of the composers we’re featuring in Passport to America: The Immigrant Story is not just alive, he’s actively working and demonstrating the unique cultural richness that immigrants bring to our country.

Franz Waxman was a Jewish composer who started out writing scores in the thriving and much-admired German film industry. His first original Hollywood score was James Whale’s memorable Bride of Frankenstein in 1935.

Born in Switzerland in 1880, Ernest Bloch emigrated to the U.S. in 1916 with his wife and three children, after studying music in Belgium, Germany, and France. Working as a teacher and director of music schools, he became a U.S. citizen in 1924.

In September’s Passport to America: The Immigrant Story concert, we’re featuring four incredibly talented composers who brought their gifts with them to this country and gave new richness to American music.